A kamera BRAIN a RED rendszer elsődleges építőeleme, amely a képérzékelőt és a fejlett számítástechnikai komponenseket tartalmazza.A DSMC2® BRAIN 300 MB/s adatírási sebességre képes, egyszerre képes REDCODE RAW és Apple ProRes vagy Avid DNxHR/HD formátumban rögzíteni, és négyféle érzékelővel kínálják - hihetetlen dinamikatartományt és akár 8K felbontást biztosítva. Az olyan funkciókkal, mint a kábelmentes perifériák, az integrált médiatároló, a vezeték nélküli vezérlés, a DSMC2 az eddigi legerősebb és legintuitívabb kamera. Emellett kompatibilis a modulok és kiegészítők egyre növekvő arzenáljával - a RED-től és más harmadik féltől származó gyártókkal. A cserélhető OLPF-ek és objektívtartók hozzáadásával a DSMC2 a felvételek feletti végső kontrollt biztosítja.
5K GEMINI S35 Sensor
The GEMINI 5K Super35 sensor features dual sensitivity modes. Use Standard mode for conventional shooting scenarios. Switch to Low Light mode for increased sensitivity, but without the increased noise floor commonly found through signal manipulation.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.
Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.
DSMC2 Form Factor
Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, you have a high-resolution gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Since the DSMC2 form factor is standardized, any accessories that you have for this DSMC2 body will work with any other DSMC2 body, should you upgrade or acquire an additional body in the future.
Weight 3.4 lb / 1.54 kg